It's important for me to remember that the things I am interested in can be very distinct from the meaning in the pieces I create. The things I am interested in can lead to the pieces because the process of making art is also a form of research.
This would be an argument inline with ‘The Intentional Fallacy’ in which the artists meaning becomes irrelevant when the viewer is introduced to the work, because that introduction brings a new set of paradigms and perspectives are introduced, so the meaning becomes something else anyway.
In practical terms, and very relevant to the moment, this shows the importance of being in the studio, working, and not getting too obsessed with what it all means.
Meaning (as imposed by the viewer) and context (as imposed by me) can be two very distinct things.