Studio Research - Week 11 / by Ally McGinn

This week we held our MA Open Studios event. So much of the week was taken with presentation tests and adjustments. 

A fairly logistical week, but with quite a few contextual developments. (Detailed on other posts)

 Ally McGinn (2017)  Studio Mushroom.  [Working Title]. Studio detritus. Size varies, approximately 5 x 5 x 2 cm.   This piece is more about the perceptual association of a mushroom than a pre-conceived idea or inspiration from nature. 

Ally McGinn (2017) Studio Mushroom. [Working Title]. Studio detritus. Size varies, approximately 5 x 5 x 2 cm. 

This piece is more about the perceptual association of a mushroom than a pre-conceived idea or inspiration from nature. 

 Ally McGinn (2017) Open studios view. 6.12.17.  This is the final view of my set up for the Open Studios event. None of the working elements of the studio were removed, and it was interesting to see the engagement people had with that element of things.  The differences between studio and gallery can be seen in situ here. The difference is part of the work and it gives insight into the mind of the artist, and the working process of creating art. I think this is an interesting point for the work, as I am interested in the communication of perceptual questions. Seeing all the elements I have considered for inclusion in the work questions why those elements were chosen while inspiring a transitory state for these objects; the idea that it could change at any moment.  I would be interested to explore the idea of changing an element of the installation between each day of an exhibition. 

Ally McGinn (2017) Open studios view. 6.12.17.

This is the final view of my set up for the Open Studios event. None of the working elements of the studio were removed, and it was interesting to see the engagement people had with that element of things. 
The differences between studio and gallery can be seen in situ here. The difference is part of the work and it gives insight into the mind of the artist, and the working process of creating art. I think this is an interesting point for the work, as I am interested in the communication of perceptual questions. Seeing all the elements I have considered for inclusion in the work questions why those elements were chosen while inspiring a transitory state for these objects; the idea that it could change at any moment. 
I would be interested to explore the idea of changing an element of the installation between each day of an exhibition. 

 Ally McGinn (2017) Studio documentation.   A detail shot of the space behind the canvas wall, a space of storage and potential.   There is something brilliant about this. It is an organic, aesthetically unconsidered (for the most part) installation. Ordered chaos. 

Ally McGinn (2017) Studio documentation. 

A detail shot of the space behind the canvas wall, a space of storage and potential. 

There is something brilliant about this. It is an organic, aesthetically unconsidered (for the most part) installation. Ordered chaos. 

 Ally McGinn (2017) Reading a painting, process shot.   Binding this painting into a book is progressing well. The book is bound with a handmade linen hardback cover. The process is being documented in  'Reading a Painting'.   This book was easily the most conversational element of my installation, at least during the evening of the Open Studios.  It drew interaction and questions from viewers. Which is something I'm going to consider.  I have explored many of the reasons for making this book in the post ‘Reading a Painting’ but I enjoy the dichotomy of choice and focus that it brings to the viewer; they can choose which pages to linger on (and do) and yet they are focussing on individual elements more than they might at a distance.  It forces a physical interaction with painting.  I would like to replicate this process on a representational painting.  This exploration is ongoing.

Ally McGinn (2017) Reading a painting, process shot. 

Binding this painting into a book is progressing well. The book is bound with a handmade linen hardback cover. The process is being documented in 'Reading a Painting'.

This book was easily the most conversational element of my installation, at least during the evening of the Open Studios.

It drew interaction and questions from viewers. Which is something I'm going to consider.

I have explored many of the reasons for making this book in the post ‘Reading a Painting’ but I enjoy the dichotomy of choice and focus that it brings to the viewer; they can choose which pages to linger on (and do) and yet they are focussing on individual elements more than they might at a distance.

It forces a physical interaction with painting.

I would like to replicate this process on a representational painting.

This exploration is ongoing.

 Ally McGinn (2017) Open studios view. 6.12.17.  Painting an addition onto the floor of ' Enframed'.   This piece began with the grey elements. As a form of equalising the materials while disguising their primary qualities.  The frame came into the work, partly, as a result of reading Heidegger. The golden frame is garish, and many people dislike it, but I enjoy the juxtaposition of Matt grey against the dusky shine of the golden frame.  The canvas behind the frame brings this piece firmly into the world of painting while highlighting its spatial qualities and materially enlarging the space of the work.

Ally McGinn (2017) Open studios view. 6.12.17.

Painting an addition onto the floor of 'Enframed'.

This piece began with the grey elements. As a form of equalising the materials while disguising their primary qualities.

The frame came into the work, partly, as a result of reading Heidegger. The golden frame is garish, and many people dislike it, but I enjoy the juxtaposition of Matt grey against the dusky shine of the golden frame.

The canvas behind the frame brings this piece firmly into the world of painting while highlighting its spatial qualities and materially enlarging the space of the work.

 Ally McGinn (2017) Open studios view. 6.12.17.  One of the small interventions I placed around the studios.  The bottles are filled with studio dust, during the stages of turning it into paint, and a collection of screws. The photo is a water mark on the floor after stretching a canvas.  The combination of the material and the representational form a representation of the process in a studio.  They were placed on a conduit on the wall, at chest height (bearing in mind I'm 5ft 4). The arrow is pointing to a fire exit but is repurposed here to direct the gaze to the ‘Art’.

Ally McGinn (2017) Open studios view. 6.12.17.

One of the small interventions I placed around the studios.

The bottles are filled with studio dust, during the stages of turning it into paint, and a collection of screws. The photo is a water mark on the floor after stretching a canvas.

The combination of the material and the representational form a representation of the process in a studio.

They were placed on a conduit on the wall, at chest height (bearing in mind I'm 5ft 4). The arrow is pointing to a fire exit but is repurposed here to direct the gaze to the ‘Art’.

 Ally McGinn (2017) Open studios view. 6.12.17.  One of the small interventions I placed around the studios.  Is this sculpture or fruit painted grey, repurposed into purposelessness. A definition of art.

Ally McGinn (2017) Open studios view. 6.12.17.

One of the small interventions I placed around the studios.

Is this sculpture or fruit painted grey, repurposed into purposelessness. A definition of art.

 Ally McGinn (2017) Open studios view. 6.12.17.  One of the small interventions I placed around the studios. My daughters reaction to this piece will be the subject of one of my final posts.

Ally McGinn (2017) Open studios view. 6.12.17.

One of the small interventions I placed around the studios. My daughters reaction to this piece will be the subject of one of my final posts.

 Ally McGinn (2017) Open studios view. 6.12.17.  One of the small interventions I placed around the studios, this one remained on my desk.   Frame.

Ally McGinn (2017) Open studios view. 6.12.17.

One of the small interventions I placed around the studios, this one remained on my desk. 

Frame.